Spyed’s journals on the subject along with a link to sign the petition are below;
I signed and endorsed their application not because someone should control the domain but more because it is going to be assigned to some group or other and if that’s so then DeviantART seem the best candidate for the job. Last thing we need is some company like News Corp or Microsoft in control of it.
But I digress…
This isn’t what I wanted to talk about today. Everyone on dA knows what art is good for. It’s integral to the way we live our lives. I wanted to look at something going on in western society that is a threat to what we love and how there is some (mad) reasoning behind that threat.
If you are an art teacher or work within the education system at all you will notice something about the Arts… There is only one time in which the Arts come up in discussions about education first… The Arts are the first thing put on the table when it comes to discuss budget cuts in education. No department gets the level of cuts art does.
It seems that the government feels that the Arts are something to be ‘sponsored’ or left as some After School Program that the local PTSA (Parent Teacher Student Association) can pay for off the charitable donations of kids and parents for homemade baked goods.
The Arts is treated by the education system in the west like the geeky kid at the school dance, ignored, sometimes humored, often maligned. Not fully integrating the Arts into a full and well rounded school curriculum is like taking milk away from kids and giving them sweet sugar drinks that could cause diabetes. Oh, wait!! They HAVE done that. How about if the food you were allowed to eat only went to the left side of your body leaving the right side to atrophy? That’s what is happening with student’s heads.
The left side of the brain is stuffed with pure information, no context, words, numbers and facts.
The right side is left to get information only from TV and video games. Doing to the brain what the sweet, sugary drinks are doing to the body.
When a school announces that they’re cutting budgets most parents sigh with relief when they hear that Art is being cut back from 2 periods a year throughout the entire year to 2 periods a week for just one semester. That French is being cut from 6 periods a week to 4. And maybe they can get away with a few cuts to sports (there’s other things they can do to work off those sugary drinks right?). Just as long as those precious subjects Math, English and Science don’t get touched.
And why are the cuts even necessary in the first place?
Oh yeah, that’s right… Tax cuts for the people who are so wealthy they’re already sending their kids to private school where the rote learning and the standardized testing doesn’t take place.
We know from the Reagan era that trickle down economics doesn’t work - it just makes the “1%” even more wealthy.
The public school system gets cut back time and time again. So why is the “Rote System” pushed so much?
You see if a school gets good or great test score averages it makes the school more popular and eligible for more grants. More importantly, if the town’s schools are doing very well it attracts people who want to live there to raise their kids. The more that people want to live in an area the greater the property prices are and the greater the taxes are. I’ve seen this happen first hand in my own kids school system, one of the top public schools in the country, but I could never afford to buy a house there let a lone pay the taxes.
Our school gets its fair share of cutbacks to the arts but as there are a lot of wealthy individuals who like the arts they are willing to pay for art classes for their kids. After School Programs can be big business in areas like this. I’ve taught a couple of these myself where you get paid nearly $100 an hour to teach kids how to draw. But it shouldn’t be this way. Art should be taught in school and given the same level of attention that Math and English gets.
SO WHY PENALIZE THE ARTS?
Look around at where the world is heading right now. More people wanting more money and not caring what they do and who gets hurt to get it.
In this current world all the hard fought for freedoms of the past 100 years are being eaten away. The Middle Class is facing a death from a hundred cuts. How many still have a ‘normal’ 5 day working week consisting of no more than 35-40 hours? Medical and financial benefits are being eaten away. How long will you keep your sick days, maternity leave, the right for your children to have a full rounded education, pensions, medical care when you’re older or have an accident? All fought for and won by unions, those same unions that are being systematically dismantled and neutered around the country. Regardless of political ideologies, when business interests enter the realms of the political sphere, then the rights of the individuals are always pushed back.
Here in America that thin curtain that certain individuals tried to hide their greed behind has finally been pulled away. The Wizard stands revealed as a group of high net worth individuals who do not care what happens to others. They don’t care if you die of cancer or because you can’t afford an operation or an education beyond school. They are so wealthy they cannot imagine what it is like to go without anything. They cannot see, and worse do not care, what happens to others. Some are even worse. They know exactly what they are doing. They are trying to protect their families so they get richer and everyone else gets poorer. They need a slave class.
The Arts are now becoming the leisure pastime of the wealthy.
How can you possibly train the next generation to become an artist or writer or photographer if you’re holding down three jobs just to survive and pay down the interest on your student loans?
How many of the successful novelists and writers today are where they are because their parents were wealthy enough to support their interests? They didn’t need to work for a living so they could try their hand at writing novels and then have them passed on to family friends who owned or held influence with publishing companies.
But still, why penalize the Arts?
The Arts require people to think as individuals. They’re about ideas and beliefs. How many of the worlds technological advances would have been made without artists? I personally feel that the world’s major innovators have been artists. These writers, painters, musicians and filmmakers who inspired scientists and inventors to make real things others imagined.
We’ve already surpassed much of the technology of things like STAR TREK. We look back and see how quaint Captain Kirk’s communicator looked. If only he could see how much we can do with an iPhone that his communicator can’t and they’re the same size. When Star Trek was created a computer the size of a city block would have been needed to do what an iPhone is capable of. Man went to the Moon on less technology than a Commodore 64 bit game console. An even better example is by Fantastic Four and Avengers creator Jack Kirby. For his DC Comics series The NEW GODS he gave each of these "gods" a 'Mother Box.' A little black shiny box through which they could communicate and get information from.
Everyone on DeviantART is an artist of one description or other. We have ideas and we freely share them with others in the community. We also give critiques and advice in return. Just that alone makes us alien to the 1% who would see us do no more than serve them their dinner, lunch or coffee. Clean their houses, fix their cars, mow their lawns, look after their children.
Yet if they could only feel what it is like to create something… See ideas come together in their head, on canvas, on screen, on paper… Would that change them? Inspire them to be better people?
Unfortunately not, for like many now they think that their iPhone with Instagram makes everyone a photographer, a filter in photoshop turns everyone into a painter and a writing software with prompts turns everyone in to a screenplay writer. All these things they use as weapons to make us give up.
These people are not to be trusted. They will steal your ideas and crush your inspirations while smiling at you and telling you jokes. They will sweet-talk you with promises they cannot keep. Some will offer you $1 for every million they make and with their false smiles will have you believe it’s a great deal.
But the real thing they want is to stop free thinking. Stop imagining a better world. Accept the one they give you. Know your place. Don’t question. Be a cog in the machine. Another brick in the wall.
In the past there have always been those who corrupted what artists do. Our stories and art begat religions used to control us. Our ideas and philosophies became the culture everything was built upon, so now that culture is moving into a gated community that the majority of us cannot afford. Or so they think. For we will always create new ideas and stories. Culture isn’t something that can be locked down even though aspects of it may be moved beyond our reach.
And their next move? To take our dreams and if they can’t steal them then they will stifle them. They are in their castles and have kicked away the ladders. The moats are filled with oil ready to be lit should we storm their castle.
And still they may tease us into giving up our ideas in return for a ladder to join them. But those ladders will always be a few rungs short of the top.
We must resist. We must unite against them and learn to see them for who they are. They are looking to establish a Brave New World where only they get to see the light of day.
We are creating the world that is to come but we won’t settle for having it taken from us and made to believe we are worthless or less than others. Our ideas today will build tomorrow.
We are FUTURISTS.
A quote from Terence McKenna-
“Progress of human civilization in the area of defining human freedom is not made from the top down. No king, no parliament, no government ever extended to the people more rights than the people insisted upon…WE are not going away. We are not slack-jawed, dazed, glazed, unemployable psychotic creeps. We are pillars of society. You can’t run your computers, your fashion houses, your publishing houses, your damn magazines, you can’t do anything in culture without psychedelic people in key positions. And this is the great unspoken of American Creativity. ”
Special thanks to Richard Caldwell
There are many things an editor must be good at; spelling, grammar, art direction, but by far the most important is diplomacy.
Every good editor is also a good diplomat. If every good editor moved into politics I’m sure most of the world’s problems would just disappear.
Recently a well-known comic creator resigned from a series of titles he was working on, but instead of walking away gracefully he dropped every bomb he could and then dropped a nuke. The biggest target of his ire was his editor. He thanked the publisher for the opportunity to work together and hoped they could again in the future but he public blasted the company and his editor, then followed up by saying many others felt like he did.
The Editor did not reply to any of his accusations. Why? Because it is against corporate policy and the disgruntled creator knew it. What he didn’t realize was that so many would come to his defense.
See, as an editor for a corporation you have to please several people. First and foremost your direct boss, but that usually entails pleasing however many bosses he or she has above them. This is mostly done by producing a book they like, while in turn keeps on its schedule and one that hopefully the fans love.
After that it’s making the creators on the book as comfortable as possible. Sometimes a creator feels like they’re in first class while others feel they’re in the cargo hold. Success does bring rewards, mainly money and freedom. You get to push back against editorial a little if you disagree, as long as your book is selling enough and you are popular enough, you get that satisfaction of getting your way more often than not.
A good editor will also fight for what he believes in and his creative team. Many editors have put their jobs at risk by making a stand with the creators. Creators remember which editors do that and which don’t.
Creators that get into a position where they can call some of the shots often request certain editors to work with, which in turn increases the profile and success of the editor. The more success an editor has, the more likely the projects he’d like the company to do, will be accepted.
Throughout all this the editor is in the middle making sure the book comes out on time and everyone is as happy as they can be.
Editors are usually invisible.
The creators and publisher take the credit when things go well (I've had publishers take full credit for my work), but they usually get the blame when it doesn’t (publicly they may take the blame but you'll most likely get it in the office). Then there is the creator who doesn’t want to accept that his books aren’t selling.
Your job is to make everyone look good.
Fans will also blame editors are while some deserve it many don’t. We’re in an age when at least 80% of the comics you read are produced by corporations to keep their copyrights and trademarks active while promoting their various Film/TV/video game tie-ins they have.
Creators must keep the stories going for each character on an endless loop. There’s no end to these stories just the illusion of change and the presence of the grim specter of death, that never arrives and if it does seems too often to change his mind allowing them to come back to life.
Editors are a vital part of the publishing a machine, a part just as important as the writers and artists of what is printed on the page. Unfortunately the role of editor has been diluted over the years. Many have been relegated to the position of glorified traffic managers. The creative decisions made by publishers and creators.
Is it any wonder that editors too often move into the role of creator themselves?
One last thing... The only time I've seen Reagan economics work in action (trickle down theory) was not with money (that's a proven fact that doesn't work) but with sh!t. Sh!t always travels down and if you're an editor you know what I'm talking about.
I ask become I’ve come off finishing a deadline and I’m feeling a little drained. I deal with deadlines every month, but not one that is so close to what I really want to do.
I’ve cleaned, I’ve moved furniture around, done the food shopping, been to the comic shop, watched JOHN CARTER again, but now I need to throw myself back into work again.
I have two deadlines coming up, finishing an issue of VOODOO for DC (I oversee the art production of the issue as agent for Sami Basri and Jessica Kholinne of STELLAR Labs for DC Comics) and there is getting everything sorted for San Diego Comicon.
At San Diego I’ll be unveiling a lot more art and details for the new anthology title I am doing with Stellar Labs and my own company, ATOMEKA PRESS, called “A1”. This is going to be a monthly comic with three strips in, CARPE DIEM, ODYSSEY and WEIRDING WILLOWS. All strips will be ongoing and appearing most months. When any of the strips takes a break we’re thinking about letting someone from DeviantART do a short story for those issues. I’ll let you know how that shapes up as we get closer to the release date.
I’ll also be appearing on a couple of DEVIANTART panels during the show and a HEAVY METAL panel. I’ll post details as soon as I have them.
Between those and meetings I’ll be down in Artists Alley. Anyone have questions or thoughts about the industry that you want to discuss come and find me. Happy to look through portfolios when I can. Looking forward to meeting the 6 winners of the DeviantART scholarship program I judged.
But now, RIGHT NOW, I’m in belly button gazing mode. Oh look, a piece of lint… Must pluck it out.
Truth is, this is the first time in a long, long time, I’ve actually been able to focus on this much of my own ideas and concepts. I’m so used to working on other peoples projects that spending this much time on my own kinda makes me feel guilty. Like I should be doing something else.
I’m getting over it though. I managed to do some good at the same time. Picked three great artists from DA to appear on the back of Heavy Metal and helped another creator do his first ever creator owned work. Hopefully he’ll turn his back on X-Men and Hulk to do more creator owned work in the future.
I know, I’ll write a journal and post that. That’s almost work, right?